James Mcneill Whistler

American Painter and Printmaker, 1834-1903 James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,


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James Mcneill Whistler Trouville oil


Trouville
Painting ID::  38980
Trouville
mk142 1865 Oil on canvas 49.5x75.5cm
mk142 1865 Oil_on_canvas 49.5x75.5cm
   
   
     

James Mcneill Whistler Brown and Silver Old Battersea Bridge oil


Brown and Silver Old Battersea Bridge
Painting ID::  39296
Brown and Silver Old Battersea Bridge
mk146 1859-63 Oil on canvas
mk146 1859-63 Oil_on_canvas
   
   
     

James Mcneill Whistler The Little White Girl Symphony in White no.2 1864 oil


The Little White Girl Symphony in White no.2 1864
Painting ID::  39316
The Little White Girl Symphony in White no.2 1864
mk147 Tate Gallery,London
mk147 Tate_Gallery,London
   
   
     

James Mcneill Whistler Whistler-s passion for all things oriental is presented here in his the princess from the Land of Porcelain oil


Whistler-s passion for all things oriental is presented here in his the princess from the Land of Porcelain
Painting ID::  44779
Whistler-s passion for all things oriental is presented here in his the princess from the Land of Porcelain
mk177
mk177
   
   
     

James Mcneill Whistler Self-Portrait oil


Self-Portrait
Painting ID::  44782
Self-Portrait
mk177 Arrangerment in Grap
mk177 Arrangerment_in_Grap
   
   
     

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     James Mcneill Whistler
     American Painter and Printmaker, 1834-1903 James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,

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